I find this man fascinating not just for his talent but for his story. His life had everything. As I mentioned, his father, William Drew Robeson, was an escaped slave from North Carolina. He ran away and fought for the Union in the civil war, after which he went to Lincoln university to become a minister. He married a Quaker woman named Anna Louisa Robeson whose family had been abolitionists who had maintained stops on the underground railroad. Paul was the youngest of eight children. His mother died when he was six years old and his father moved the family to Somerville, New Jersey. Paul grew up helping his father and singing in his church. When he was 17, Paul won a scholarship to Rutgers university, where he was only the third African-American student in the school's history. Paul "swept the gym", which is to say that he participated in every sport offered at the school and excelled at all of them. He was an "All American" football player and he earned twelve varsity letters for sports in four years. But he was not just an incredible athlete. He was good at everything. He excelled academically too. He delivered his senior year graduation speech, and all the while he was doing work in the community to help his fellow African-Americans. He exceeded expectations in everything he put his hand to.
He went on to graduate from Columbia university law school in 1923 and went to work for an NYC law firm, but others in the firm resented having to work with a black lawyer and pushed him out. Reportedly he left after a white secretary refused to take dictation from a black man. He turned to the theater and put his incredible baritone voice to work for him. Since Paul's father had been a slave and a minister, Paul knew all of the spiritual hymns and African-American music and he would give concerts made entirely of African music after he traveled to Africa to study it. He made albums and starred in both theater productions and films. His first film role was in Camille in 1926. He went on to make many memorable films such as Showboat and Emperor Jones and The Proud Valley, for which he traveled to the mining communities of Wales and found kinship with the Welsh miners because they recognized him as another human being. The Welsh are a musical people, and take great pride in their singing. They invited Paul Robeson to take part in their most ancient and traditional music festival, the Eisteddfod. To them, his singing voice was the only credential he needed.
Because labor unions were associated with communism and Robeson was very famous, very popular and very involved, he attracted the attention of the FBI after the war. He became a target of McCarthy, and he refused to go back on any of his activism for labor causes. In 1949 he gave a concert in Peekskill, New York with Pete Seeger and Sidney Poitier. There was a riot, and the police stepped aside to let the mob attack the singers. He had also made many trips to the Soviet Union, which made him someone very interesting to the anti-communist forces in the government. In 1950 they withdrew his passport because he wouldn't sign an affadavit denying membership in the communist party. He was blackballed. He couldn't travel overseas to work and he couldn't work anywhere in the US because nobody would risk booking him. In 1953 he gave a concert at the Peace Arch at the International Peace Gardens on the border of the US and Canada. His audience sat on the Canadian side of the border and listened to him singing and speaking from the American side.
When people wonder why African-Americans can never truly succeed in America, it is the examples of people like Paul Robeson that come to mind. He excelled. He was articulate and talented and intelligent. He was the son of a man who freed himself and a woman who had worked to end slavery. He had learned his people's struggle from an early age. He came from that and won a scholarship and made himself into a man of stature. He did it all on natural, inborn talent. He had none of the advantages but he did that for himself. Because he climbed to the top on his own merits, he had to be cut down and put back in his place. Because he was articulate and famous, he was dangerous. The idea that a man that talented and with convictions that strong could be destroyed for it the way he was seems the deepest sort of tragedy there is.
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